equestrian – FIT IS A FEMINIST ISSUE

I have been thinking a lot lately about how sports perceived as “more for girls” are undervalued, even in sports where they dominate.

In North America, at least, the vast majority of amateur equestrians are girls and women, yet the story is much different at the elite level. Since 1964 women and men have competed together at the Olympics, but no woman has won a gold in show jumping or eventing, though almost as many women as men have won at dressage. Dressage is widely seen as the “girliest” of the disciplines.

A consequence of this may have been the undervaluing of equestrian as a “real” sport. No, the horse doesn’t do all the work; riding is intense and demanding, and it requires strength and bravery as well as athleticism, a good connection with the horse, and many many hours of hauling tack, shoveling manure, and getting 400-600 kg horses to go where you want, even when you aren’t riding. The size of the rider doesn’t seem to be a major factor; the key is how well they can manage their horse.

Other sports have also suffered from male flight (the term for men and boys being less likely to enter a domain once it becomes associated with femininity). They include cheerleading, which was a male sport as valued as football before women took it on during WWI, gymnastics, figure skating, dance and artistic (formerly synchronized) swimming.

These athletes all must all be strong and flexible; most compete in close formation so precision matters, and artistic swimmers do half of their their four-minute routines under water. Concussions and other injuries are common. But because they are women-dominated sports where costumes and make-up have a role, they are routinely mocked as not being true sports. Interestingly, all, including equestrian, are places that have traditionally been more welcoming of LGBTQ+ athletes, as well.

However, the most egregious undervaluing of women’s sport this week was at the men’s World Cup.

Soccer is not gendered at the early stages of learning the game; over 40% of all players in Canada are girls, and boys and girls play together on the same teams. As they age and become more skilled, the girls and women are relegated to a distant second place in the minds of some (check out Wikipedia to see just how little attention the women get). At the same time, the most-watched event of the 2020 Olympics in Canada was the gold medal women’s soccer game won by Canada, led by Christine Sinclair. Sinclair is the world’s all-time leading international play goal scorer among both men and women, and the second player in history to score in five World Cups (after Brazilian legend Marta).

The Canadian women have played in every women’s World Cup since 1995, reaching 4th place in 2003. They scored twice in their very first game in 1995, against England. In total, they have scored 34 goals. So when a TSN sportscaster gushed about the first goal for Canada at the men’s World Cup the “greatest moment in Canadian soccer history” while sitting beside Janine Beckie, a member of gold medal Olympic team, it’s not surprising this was her reaction:

Woman with long blonde hair and a black sweater holds a microphone while seated in a broadcasting studio. There is a crowded stadium in the background. The woman has an extremely sceptical look on her face. — Janine Beckie gives her co-host some well-deserved side-eye.

We all need to be more like Janine Beckie, every time we hear such nonsense.

Diane Harper lives in Ottawa. She grew up watching or attempting every one of these sports, and still does some of them, so she knows just how hard they are.

Breaking from a trot to a gallop.

Growing up in the prairies, I rode for most of my life. I was terribly allergic to horses– (probably the dust and hay in the stables, actually.) But I was one of those girls who freaking loved horses. So, cowboy boots on and tissues up my nose to stop allergy-induced nosebleeds, I insisted on riding.

The horse’s name was Miss Terrific and she was a sweet and temperate horse, as her name would suggest. She was probably a quarter horse, which is a very common breed. But in my mind, she was an Arabian (a beautiful and mystical breed—think The Black Stallion—they carry their heads very high and have distinctively angular faces).

The Taylors were a kind and hospitable older couple who owned the property (and horses) where I rode. I had started riding with them when I was about eight or nine. My sister was a bit too young to ride (and not that interested in horses as much as she was into the sheep on the property and the three-storey tree house). So while I rode, she spent her time as Queen of the Sheep.

I was in the sandy arena with the others in the class, a mix of kids my age and adults who would bring their own horses to the lessons (which were about $10 an hour, if you can believe that!). Dan Taylor was our instructor, an older man who was pure, distilled Alberta with a bit of a drawl and a dirty white cowboy hat he always wore. His wife, Dawn, rode in the arena with us with her beautiful grey-and-white spotted horse and would demonstrate for us what we were supposed to be doing. She and her horse always seemed so impossibly in sync with one another; as if her horse could read her mind. Dawn would barely gesture and the grey-and-white would respond immediately, seamlessly.

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At this point I probably hadn’t been riding that long. It might have even been my first or second lesson. We would start by all riding around the arena at a walking pace, building up to a trot, learning to post (which is stranding up in rhythm with the horse’s movements to avoid being bounced in the saddle), then galloping. I hadn’t galloped yet. I’m not sure if it was the speed that intimidated me or if I just couldn’t get Miss Terrific to go that fast.

A trot is a four-beat movement. You can feel all four of the horse’s feet hit the ground and if you don’t post, you’ll be bounced constantly and uncomfortably. One, two, three, four, one, two, three, four, one, two, three, four. Ow, ow, ow, ow, ow, ow, ow… But a gallop is a three-beat movement—smooth—almost like gliding. In a gallop, the horse has at least one foot up off the ground. Just like when a person runs.

So there Miss Terrific and I were, four-beating it around the arena while others passed us, when another young rider came up alongside us.

“You’ve got to cluck to her,” he said, and clicked his tongue. (Some people give kisses—make a kissing noise to encourage the horse—or make clicking or clucking sounds, using audible cues rather than physical taps or nudges.) I could hear Dan over the speaker also encouraging Miss Terrific (come on, Miss Terrific, come on), and clicking into his microphone.

Alright, I thought. We can do this. I urged her with clucks and clicks and kisses and then suddenly—

We broke into a gallop. It felt smooth and perfect and somehow way better than the slower (and safer) trot I had been stubbornly hanging on to.

“Now you’re flying!” the other rider shouted to me as I took off past him. It was exhilarating. We had done it, Miss Terrific and I.

Over the years, I had the privilege to work with lots of different horses, both in Western and English styles. The Taylors always insisted that riding many different horses made one a better rider. And Miss Terrific was really their “beginner’s horse.” Eventually I graduated from her and learned to work with other horses; some who were feisty or faster or challenging in other ways. Some who were never property trained, some who tried to fight me, and some who just loved to eat and roll around in the mud. In later years, I learned how to barrel race and how to jump a course.

Even after nearly twenty years, I still find it the slightest bit intimidating, working with a horse. While you’re technically “in charge,” you should never forget that you’re working with a one tonne animal who could kill you if something went wrong, or at least kick you or throw you off. There’s something humbling to that.

Sometime ago I was told that the Taylors had sold Miss Terrific to people who had more pasture for her to retire in. She was old, even when I knew her. It’s silly that I believed it. That’s got to be the one of the oldest lines in the book. I’m deeply grateful to her and I’m sure she’s peacefully grazing and galloping away in horsey heaven.